Aphrodite w-3 Read online

  "Terrible thing, wasn't it," Adrienne whispered to Deena. From the way she said the words, Justin knew immediately that she was one of those people who got extraordinary pleasure from gossiping over terrible things.

  "You mean about Susanna?" Deena asked and Adrienne put her hand to her mouth. "Sshhh," she said and pointed toward the kids nearby. Then she nodded vigorously, quietly saying, "Yes, I mean Susanna," and Deena whispered back, "Terrible."

  "She was in here the day she died."

  "Really? Checking out a book?"

  Adrienne shook her head. "Using the computer. This one right here." She tilted her head in the direction of a large desktop model, probably three or four years old. It sat to the left of the front door, in the foyer. "She was very mysterious about it. Didn't want me looking over her shoulder. Not that I would anyway."

  Justin stepped forward now. "What was she working on? Did she say?"

  Adrienne put her finger to her lips again. "Who are you?"

  "I'm with the police department here."

  Adrienne nodded vigorously again. "I can see that. Ohhhhh yes- I've seen you directing traffic. Seems to me you slow things down rather than speed things up. What kind of crazy system is that?"

  Her quiet rant was interrupted by a chorus of laughter from the kids in the room behind them. The monkey puppet was singing a goofy song. You could see that the actor who had the puppet on his hand was really doing the singing. He was making no effort to hide that fact. But none of the kids were even looking at him. They were all staring delightedly at the fuzzy creature on the end of his arm as if he were a totally separate entity.

  "Do you know what Susanna was doing on the computer?" Justin whispered.

  "Don't have a clue."

  "She went on-line?"

  "She did. I collected the eight dollars."

  "But she didn't tell you what she was looking for?"

  "Didn't tell me a thing. All I can tell you is she looked pretty intense and excited, like it was something important. And then when she left, she was kind of wobbly. Like she suddenly got sick."

  "She was," Justin said slowly. "She called in sick to her office."

  "Well, I can vouch for that. She could barely walk when she left here."

  "So she was here at lunchtime, then."

  "Around twelve or twelve-thirty, I'd say. Stayed for forty-five minutes or so."

  "Have a lot of people used this computer since she was here?"

  "Three or four. Is that a lot?"

  He shook his head. "You mind if I use it?"

  Now Deena spoke up. "You gonna trace what she was looking at?" She realized she'd said it too loudly. The man with the puppet on his hand gave her an annoyed glare from the adjoining room.

  "If I can," Justin said softly.

  The librarian looked skeptical. "You know how to do that?"

  "I'll have to see."

  "It's four dollars for every half hour on-line."

  "I'll spring for it," Justin told her. Then he sat at the computer, waiting for Adrienne to return to her desk before he began tapping away.

  The first thing he did was click on the Start button, then he went to Programs and clicked on that. He double-clicked on Windows Explorer, ran the cursor down until he came to the Windows program, and tapped on the mouse. He ran the cursor down again until he came to a file that read Temporary Internet. He clicked twice and a window appeared with small files inside it, six to a row, each one labeled directly underneath.

  "These are all the recent routes people have used to get onto sites," he said to Deena, making sure his voice was kept low enough to disturb no one and draw no attention.

  "I'm impressed," she acknowledged. "But how do you know which ones were Susie's?"

  "We'll go chronologically. Or backwards, really. See if anything seems logical."

  He began clicking down the long list of locations. There were a lot of things that were impossible to decipher-letters that didn't form words and numbers that seemed meaningless-as well as terms like e-mail and AOL and Outlook and cookies and sportsdata.

  "Adrienne won't be happy," he murmured.

  "Why not?"

  "Someone's been logging onto porn sites."

  "How can you tell?"

  "Here's a string of three: tiffanyphoto, titsgalore, and fatasspix. I'm just guessing, but-"

  "Seems like a pretty fair guess. You think Susanna was checking out porn?"

  "No, I'd put my money on a horny thirteen-year-old boy."

  She looked at the list of sites on the screen and frowned. "Can you really tell anything from these little things?"

  "No," he confessed. "I was just hoping to see if anything struck me." He started to click the Escape button, but then hesitated. "Huh," he said. "Here's one: Oscars."

  "What's that mean?"

  "Not sure. Could be somebody looking for people named Oscar. But I think your friend Susanna was checking out some information about an actor. Someone she thought was nominated for an Academy Award. So maybe there's a connection." He stared off into space, collecting his thoughts, then clicked out of the window. "Let me go on-line and check something else," he said.

  As soon as he was connected, he moved the cursor to the address window and clicked on the arrow to its right. Approximately thirty Internet addresses appeared and Justin leaned forward, squinting to read them.

  "Listen, will you do me a favor?" he asked.

  "What?"

  "Do you have the last issue of the Journal? The one with the obit Susanna wrote about the actor in the old-age home?"

  "Probably."

  "Will you go home and get it?"

  "Will you keep an eye on Kenny?"

  Justin glanced back at the room full of enthralled children and nodded. Deena said, "I'll be back in fifteen, twenty minutes."

  As she walked out the door, Justin felt a twinge of guilt. He didn't need the obit; he'd practically memorized it and remembered all of the key details. But he didn't want her privy to what he was searching for. And as soon as he'd seen the sites in the address window, he knew he was on the right track.

  Two or three people had used this computer to log on since Susanna Morgan had used it. So he skipped the first three addresses. The next four entries were, in order: William Miller, Best Supporting Actor, Oscar Winners, and Internet Movie Database. He wanted to see things in the order that Susanna had seen them, so he let the cursor linger for a moment, then clicked on International Movie Database. Immediately, the address came up: http://www.imdb.com. Then he was connected to the site. He ran down the list of categories. You could get daily movie grosses and reviews and updated show business news. He tried to retrace Susanna's thought process, so in the window that was labeled "search," he typed in: Oscar Winners. When that site came up, he could hear in his head-clear as a bell-Wallace P. Crabbe ranting and raving about the 1938 Oscar winners, so he typed in the year 1938, just as he was certain Susanna had done. When the list came up, sure enough, William Miller's name was not among the nominees. He remembered Crabbe screaming about Miller's movie The Queen of Sheba, so he typed that in the search window and double-clicked. Crabbe had been right again. There was no 1938 movie with that title. There was no talkie with that title, either. There was one Hollywood film called The Queen of Sheba and that was obviously not the right one. It was a silent film made in 1923. Miller would have been two years old.

  Impatient now, Justin decided to cut to the chase. He typed the name "William Miller" into the search window and clicked. Moments later, Miller's bio appeared on the screen. Justin Westwood began to read. And as he read, his mouth dropped open. This was wrong, he thought. This couldn't possibly be correct. He went back to the home page, typed in just the name Miller. He thought there'd be another William Miller, maybe with a middle initial, or there'd be a Bill Miller- something to differentiate the actor who'd died in East End Harbor from the man whose bio Justin had just seen on the screen. But no, there was only one William Miller, and the details of his life
and career reappeared on the screen. Justin read through all the information, tried to absorb the specifics, then read through it all again, still not convinced he was seeing what was right in front of his eyes. He tried to imagine what Susanna Morgan had done when she'd reached this page on the Web site. He tried to imagine her forcing herself to believe that what she saw could possibly be the truth. Just as he was doing.

  In William Miller's filmography there was a string of films with titles Justin had never heard of. The titles were followed by the dates the movies were made and the name of the character played by Miller. The first few titles read:

  In the Land of Plenty (1922)… Charles Robertson

  The Runaway (1922)… Police Chief

  The Safest Place (1922)… Professor Allen "Smitty" Smith

  Blue Boy (1923)… Roger Darris

  Justin felt disoriented. The dates made no sense. But he kept scrolling, and there it was, just as it had been the first two times he'd scrolled through the info. The next film on the list: The Queen of Sheba (1923)… The Prince

  He blinked. Rubbed his eyes to make sure they were clear and that he was reading correctly. He barely noticed the rest of the credit roll. There were several films in the 1930s, just a couple in the forties. In the 1950s there was a subhead that read Television Work, and listed from the years 1953 through 1955 was the series Cowboy Bill.

  Justin began to scroll faster. He scanned the mini-biography. Saw the highlights of Miller's life. Saw that he'd been married. Saw the date his wife died. He saw-and read the line over three times-that the couple had never had any children. Saw that for The Queen of Sheba he had not received an Academy Award-the award hadn't even come into existence yet-but he was voted Screen magazine's "Favorite Non-Leading Man of the Year." Screen's honor would certainly have been a memorable one for the young actor. Was it memorable enough so, as he got older, it led the old man to tell people he'd won the Oscar? Maybe. One more crazy "maybe" to add to the growing list.

  Miller's theater credits were listed, too. Justin remembered that the obit had said he was in a 1970s revival of two Clifford Odets plays. William Miller had indeed been in those plays. But not in the 1970s. In the 1930s. In the original productions.

  It was impossible.

  But there were other matches, too. The Miller he was reading about was married to an actress named Jessica Talbot. She'd appeared with him in The Queen of Sheba and she died in 1972. Exactly as Susanna Morgan had written in her obituary. Exactly as Bill Miller must have told her.

  He scrolled back up, read the line one more time: no children.

  No Bill Miller, Jr.

  This had to be the guy Susanna Morgan had known and written about. It had to be. There were too many details that connected. But how could it be? The answer was that it couldn't. That was the only thing that made any sense at all. It simply couldn't be.

  Justin got to the end of the bio. Saw that William Miller had been born in Pittsburgh, Pennsylvania. Saw that there was no date of death yet listed.

  For what seemed like the hundredth time, he read the date of William Miller's birth.

  "Jesus Fucking Christ!" Justin Westwood said, and he said it slowly and clearly and very loudly.

  When he realized that his words were reverberating throughout the library, he turned around, saw twenty small children and one grown man with a monkey puppet on his hand all staring at him in shocked silence. He saw Deena Harper, clutching a newspaper, freeze as she stepped through the front door of the building. And he watched as Adrienne the librarian's eyes opened as wide as they could possibly open.

  The oppressive silence lingered as Justin turned back to the computer screen. He forced himself to read, one more time, the last line of William Miller's biography.

  Justin thought of the headline in Susanna Morgan's obituary. The obituary he was more and more certain had gotten her killed. cowboy bill dead at 82.

  One last time, he stared at the line on the screen in front of him:

  Date of birth: 1888.

  Impossible, inconceivable, and illogical.

  But there it was in black and white. The proof was staring him right in the face. And there were only two possibilities.

  One: The guy who died wasn't Bill Miller. But what sense did that make? Why would he lie?

  Which left possibility number two: The guy who died wasn't eighty-two years old.

  Because if the old man in the retirement home was who he said he was, Cowboy Bill Miller lived until he was 114 years old.

  10

  Justin Westwood knew exactly how Susanna Morgan had felt when she left the library two days earlier. His legs were wobbly and his head was spinning. His mind kept racing around in circles, but there was no logical end to the race. He could come up with no reasonable conclusion or pattern to any of the information he had just gathered. He wanted a drink as badly as he'd ever wanted anything in his life. And even more than that, what he really wanted was to step back in time. He wanted to go back to the moment he'd seen Susanna's lifeless body on the floor of her bedroom, to ignore the various signs that had pointed to her murder. He wanted to shut out the voice that had told him to go up to Susanna's roof and wipe out the fact that he'd seen Deena Harper, heard her describe the murder. He wanted to forget the fact that he'd ever met anyone named Wallace P. Crabbe and, more than anything else, he wanted to eradicate from his brain the fact that he'd just verified the impossible on an out-of-date computer in the rinky-dink East End Harbor Library.

  He wanted to close his eyes and make everything disappear.

  Everything.

  But he couldn't. His eyes were open and everything was right in front of him, in absolutely plain sight. Even if none of it made any sense.

  So in the still silent library, Justin shut off the computer, dropped a ten-dollar bill on Adrienne the librarian's desk, told Deena that he was leaving, that if she wanted to come she should go get her kid, now, no questions asked, just go, which is exactly what she did, striding into the children's room, swooping Kendall up under her arm. Justin walked them both home. He didn't say a word the entire ten minutes. She asked a couple of questions; he just stared, didn't even bother to shake his head. He walked them back to the apartment on Main Street, didn't say good-bye. As soon as they were inside, he continued walking straight ahead, kept going until he reached the end of Main, where he made a left. Five minutes later, he was in the East End Retirement Home, talking to Fred, the home's longtime manager.

  "Sure," Fred said. "Just like I told Susanna when she called. Bill's nephew's name is Ed Marion. Nice guy. Always was. Even when he came up the last time. Helluva nice guy, considering the circumstances."

  "What circumstances were those?" Justin asked.

  "Well, you know, his uncle being dead and all."

  "Oh. Those circumstances. So you'd met him before that?"

  "Well, sure. He used to come pretty regularly-four times a year- to see Bill and to pay me."

  "He paid for Mr. Miller's stay here?"

  "Every penny of it."

  "Why didn't he just send a check?"

  "I guess he liked to visit his uncle. And he didn't pay by check."

  "How did he pay?"

  "Cash. Every three months, for the next three months in advance."

  "Do a lot of people pay cash?"

  "Hell, I wasn't even sure it was still legal to pay in cash."

  "So he was the only one."

  "Unfortunately."

  "Did Mr. Miller talk about his nephew, talk about Ed?"

  The manager shook his head. "Nah. Hardly ever. In fact, I don't think they got along all that well. Old Bill, he used to tell everyone he didn't have no relatives. One time I heard him say that and I said, 'What about that nephew of yours? He's a relative, isn't he?'"

  "And what did Bill say?"

  "Didn't say much of anything, as I recall it. He could be a stubborn old coot."

  "Tell me something, Fred. How long have you worked here?"

  "Me?
Six, seven years now."

  "And how long was Bill Miller here? Before you?"

  "Oh sure. He was a carryover. He's been here a while."

  "Do you know exactly how long?" Justin asked.

  "Pretty close. But not exactly."

  "Don't you keep records?"

  "Duhh, yeah, we do. But the day before I started work, literally the day before, we had a robbery. They took some office stuff, a computer, a phone machine, you know, stuff like that. And a bunch of files. God only knows why they wanted that stuff. One of the things they took was Bill's file. Don't think they got a lotta dough fencin' it, I'll tell you that."

  Justin stood up to go.

  "You wanna tell me what's goin' on here?" Fred asked.

  "I wish I could," Justin told him. "I really wish I could." Back at the station, Justin went straight to his desk, was already dialing Ed Marion's phone number before he was even seated in his chair. For some reason, he wasn't at all surprised when he got a recording telling him that the number he'd dialed was no longer in service.

  He wasn't surprised, either, when he got Susanna Morgan's phone records faxed to him slightly less than an hour later and saw that, on the last day of her life, at 2:07 p.m., she had placed one call to Ed Marion's number and, at 5:54 p.m., received one call from that same number. A number that no longer existed.

  The first call had lasted twenty-seven seconds. Long enough to leave a phone message. The return call had lasted just over four minutes. Plenty of time to have a substantive conversation.

  But what was the substance?

  So a senile actor was mind-bogglingly old. So what? What made that something other than a piece of fascinating and astonishing trivia?

  What made it a fact worth killing over?

  Justin checked the information he received from the phone company. The address that belonged to Edward Marion's number was 2367 Old Post Road in Weston, Connecticut. It was a valid address. He could take the car ferry over, be there in three hours.